What is the Story About?
Gandi Baat 4 , streaming on AltBalaji and Zee5 is a bunch of five stories by the countryside exploring physical desire in its rawest form. The show is set in the rural corners of the country where characters find themselves in uncanny situations. It almost reveals that all desires come in different shapes and sizes.
One story tells of a husband who will invite his ex-lover (his wife’s spouse) into their marriage to please his wife. There are many wives who turn their husbands into pimps for city-bred women. Folklore has it that a man can transform into a woman by not respecting her consent to have sexual intercourse.
The story also addresses the concerns of a bride about her inability to accept the pain that she must endure while falling in love with her husband. A widowed woman who wants to sell her almirah via an e-commerce platform meets a married man who is interested in buying the same.
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Performances of gandi baat 4
Gandii Baat is more dependent on how the storyteller builds a context to desire in the story than the acting by the lead cast. There are many well-known faces like Ashish Dixit and Garima Jain. Urmimala Sinha Ray, Aditya Singh Rajput, and Garima Jaya Roy all fit the role with good ease. Although there isn’t much to be expected from a series of uni-dimensional episodes like this, the actors are able to do justice for their roles in the short acts. It would have been nice if the makers had also paid attention to the acting skills of the cast.
Gandi Baat 4 seasons are like going back in time to the erotic literature that Indian teens would secretly have read as they approached adulthood. It takes a lot of skill to tap into teenagers’ unexplored fantasies, and the series does this in the visual form. The show uses every second word to refer to a man’s sexual organs and a woman’s assets. There is also a lot of objectification. The show’s focus is on a person’s search for their sexuality. The makers don’t hesitate to express their opinions. That is also the USP of this show. The sex-talk is blunt and direct. There’s no double-entendre.
Going by the quirkiness among the various stories that the show has depicted across several seasons, Gandii Baat is at its best in round four. These situations are truly ‘interesting’. Each episode has a solid story.
Imagine a story about a woman who wants to be sexually intimate with two men at once. The man replies, “When a husband can have both wives, why doesn’t it work the opposite way around?” Strangely, the story of a village vow where men are given a taste of the women’s lives in case they don’t respect their consent is also empowering. Telugu film fans may recall E V Satyanarayana’s Jamba Lakidi Pamba. It is shocking how the episode in which wives exchange their husbands for escorts for tourists entering the village has such shock value.
One-of-a kind, the premise of a streetside comedian who uses his sexual adventures beyond marriage as content for his shows is unique. The episode has a delightful twist when the man discovers the dark side of a woman he is having an affair with. The story has a progressive twist. A woman who is chastised by her mother for not teaching her about sex before marriage becomes a sexual education-teacher for teens later. The show serves as a sort of’middle finger to conservatism in conventional societies. Sexual liberation is still taboo in Indian homes.
The show has its faults, however. The show’s visual gaze is very problematic. It feeds into the fantasies and desires of the viewer and zooms in on the body of a woman, but not beyond a pound of flesh. These voyeuristic glances are celebrated by the show-makers, who talk about women’s sexual freedom as a sign of a progressive society.
Gandii Baat has the potential to expand its viewership (in terms of viewership), if it doesn’t focus too much on lovemaking sequences. Instead, it should make them an integral part of the story and not glorify or celebrate it. Low execution is responsible for the low value of truly out-of-the box stories.
Music and other departments?
While one could attribute the use vintage songs in episodes to laziness by the composers, the situational placement of these songs remains a surprise. Because of its manipulative depiction of desire, the show’s cinematography is one of its many flaws. A better visual aesthetic would have made the show a lot more enjoyable. The writing is very original. However, it may have been difficult for the director to bring it to the small screen.
A progressive view on sexual freedom
Enjoy the clever use of old songs throughout the episodes
Perverse, manipulative cinematography
It is the dominant focus of sex rather than other interesting stories.
Did I Enjoy It?
Yes, more for the fascinating stories
Would You Recommend it?
Only if you are willing to explore soft territory occasionally
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